Exhibit Dramatically Delineates Artist's Despondency, Rebirth

"Before and After," demarcating an artistic vision altered by the prism of despair, officially opened Thursday in The Gallery at Penn College. The free exhibit features the work of Ned Martin − work that is physically and figuratively separated by the stark stylistic shift that followed the death of Martin's wife, Renee. Hours for the exhibit, which continues through June 29, are 1-4 p.m. Sunday and 11 a.m.-5 p.m. Tuesday through Friday. The gallery, on the third floor of the college's Madigan Library, is closed Saturdays and Mondays.

− Photos by Cindy Davis Meixel, writer/photo editor, and Dalaney T. Vartenisian, student photographer

Gallery guests in the "After" section

New York City artist Ned Martin engages the opening-night crowd.

Family members congratulate Martin's son, Scott; he and his wife are expecting a child (the artist's first grandchild) later this year.

The gallery's spatial layout follows the exhibit's symbolic dividing line.

More than 100 attendees listen to Martin's emotional and empowering gallery talk.

Realistic paintings representing Martin's "Before" period begin the exhibit and lead visitors through distinct sections of artwork.

A large "After" section is filled with abstract oil paintings created on recycled aluminum printing plates.

A relative of Martin's late wife reflects on a powerful painting.

More works from the "After" collection

Green leaves, peppers and glasses are among the "Before" works.

"Apple Fractals" engage viewers in the "After" section, which, like the "Before" paintings, notes the artist's Feb. 17, 2013, turning point.

Holding messages from a prior purpose, recycled metal printing plates offer an extra layer of intrigue.

A multimedia experience, including a video in which the artist explains the blur of grief, immerses gallerygoers.

A visitor inspects Martin's newer oils.

The detail of a wasp, also among the earlier pieces